Posts Tagged ‘snow

13
Sep
16

Eel Pie Artists Winter Open Studio W/end 10-11 Dec 2016

20161202_103217

Danse pour Deux‘Danse por Deux’ oil on canvas 24″ x 36″ -Lee Campbell

'Reve Rousse' oil on canvas - LeeCampbell

‘Reve Rousse’ oil on canvas 24″ x 36″ – Lee Campbell

'Rhapsody' oil on canvas Lee Campbell

‘Rhapsody’ oil on canvas 70cm x 140cm Lee Campbell

'Celestial' oil on canvas 70cm x 100cm - Lee Campbell

‘Celestial’ oil on canvas 70cm x 100cm – Lee Campbell

Sylvan Gold 35" x 35" oil on canvas Lee Campbell

Sylvan Gold  35″ x 35″ oil on canvas Lee Campbell

Dreaming Pool - Lee Campbell

Dreaming Pool – 2 x panels 50cm x 81cm – Lee Campbell

dscf6161 A pair of oil on canvas paintings based on images of oxidation with rust ‘cherries’ – 70cm x 70cm x 2 – Lee Campbell.

Below – Paintings produced to celebrate the Hogarth Press and Virginia Wolf Exhibition at Orleans House Gallery. Historic interiors are a subject I relish exploring and these rooms are loaded with atmosphere and multiple light sources. Monk’s House in Lewes and was a former home of Leonard and Virginia Wolf and is now owned by the National Trust.

'Monks House II' - oil on canvas - Lee Campbell

‘Monk’s House II’ – oil on canvas – Lee Campbell

'Monks House I' oil on canvas - Lee Campbell

‘Monk’s House I’ oil on canvas – Lee Campbell

Oil on paper paintings – with mounts ready to frame.       For sizes and prices see : http://www.leecampbell.co.uk

'Dawn' oil on paper - Lee Campbell

‘Sunrise’ oil on paper – Lee Campbell

'Winter Gold' - Lee Campbell

‘Winter Gold’ – Lee Campbell

'Heron at Dusk'

‘Heron at Dusk’ – oil on paper Lee Campbell

'Jetty in Mist' oil on paper - Lee Campbell

‘Jetty in Mist’ oil on paper – Lee Campbell

'Richmond Bridge'

‘Richmond Bridge’ – oil on paper – Lee Campbell

'Eel Pie Dawn' oil on paper Lee Campbell

‘Eel Pie Dawn’ oil on paper Lee Campbell

'Autumnal' oil on paper Lee Campbell

‘Autumnal’ oil on paper Lee Campbell

'Mysteryscape' oil on paper Lee Campbell

‘Mysteryscape’ oil on paper Lee Campbell

New work on canvas:

'Richmond December' - Lee Campbell

‘Richmond December’ – Lee Campbell

Petersham Sunset oil on canvas 18" x 22"

Petersham Sunset oil on canvas 18″ x 22″- Lee Campbell

'Richmond Bridge' oil on canvas - Lee Campbell

‘Richmond Bridge’ oil on canvas – Lee Campbell

Richmond Sunrise - Lee Campbell

Richmond Sunrise – Lee Campbell

Twickenham Pink & Gold - Lee Campbell

Twickenham Pink & Gold – Lee Campbell

petersham-gold‘Richmond Gold’ 24″ x 24″ oil on canvas – Lee Campbell

'Sea Gold' oil on canvas

‘Sea Gold’ oil on canvas 31″ x 12″ – Lee Campbell

Sea Gold - detail

Sea Gold – detail

'Elysian' oil on canvas - Lee Campbell

‘Elysian’ oil on canvas – Lee Campbell

Many thanks to all who supported the above event.

Lee Campbell studio

Lee Campbell studio

20161210_143911

 

20161210_095030

20161210_095014

                                                                  Visitors and commissions welcome

Advertisements
27
Sep
12

Feb. 2013 News

 2013 News

Tribute - oil on canvas Lee Campbell

Tribute – oil on canvas Lee Campbell

February News

Where Angels Dance -Lee Campbell

Where Angels Dance –
Lee Campbell

NEW WEB SITE – http://www.leecampbell.co.uk

My old site had ‘expired’ so I was forced to either employ a designer or have a go myself – so with much technical help by Steve –  we managed to put a new site together last weekend. It’s fairly basic and we’ve had to sacrifice the video but I think it does the job.

 Raisin Hell – Grape and Rasin Toxicity in Dogs

Did you know that dogs can be killed by eating grapes and the dried fruit derived from them??

Well, fortunately we did – but were unable to communicate this to Holly (our Saluki). On one of the rare occasions that she was left alone she decided to punish us by eating a whole malt loaf (with raisins)- she had ignored the dog treats on the bench.
We rushed her to an emergency vet where she was made to vomit and spend 48 hours on a drip. Happily she survived and is safely back at home – she treated the experience as something akin to a detox weekend at a health spa thanks to to 2 lovely Belgian vets (both called Julien) and the nurses who made a huge fuss of her. Not an experience I would like to repeat though.

http://vetmedicine.about.com/od/toxicology/f/grape_raisin.htm

Eel Pie Open StudiosDec 2012

Eel Pie Open Studios
Dec 2012

Thanks to all the visitors (and organisers) who braved the cold to make the Open Studio show the best ever! Thanks also for the ‘Twickerati’ for his photo and excellent Twickenham blog: http://www.facebook.com/pages/twickerati/125429094134238

Mailing List

If you would like to be invited to future exhibitions and events on Eel Pie Island please contact me.

News – Nov

Delighted to see one of my older paintings on the cover of the Times Literary Supplement in November. The rights were purchased from The Bridgeman Art Library:

"Quiet Place' - Lee Campbell

‘Quiet Place’ – Lee campbell

This autumn I returned to an old theme – Battersea Power station seen from the Pimlico Embankment, but this time in a misty damp evening light – a view I remember well from living in Dolphin Square in the 1990’s and cycling up to Grosvenor Dock along the Embankment. Sir Giles Gilbert Scott was the architect who designed both the iconic phone boxes and Battersea Power Station.

‘Thames Embankment’  Lee Campbell

‘Eternal’ oil on canvas Lee Campbell

‘Beyond’ oil on canvas Lee Campbell

New Series

 When I was at the Royal Ballet School last year I was enchanted by the patterns the dancer’s feet made on the polished studio floors. The layers of texture was made even more mysterious by the daylight piercing the darkened interiors and creating reflective pools of light – I photographed it at the time but only recently made the connection between these textured layers and the tissue collages that I make:

'Ghost Dancer' collage - Lee Campbell

‘Ghost Dancer’ collage – Lee Campbell

Mixed media collage - Lee Campbell

Mixed media collage – Lee Campbell

I began the new series by doing several small oil paintings based on the photos:

Traces series - Lee Campbell

Traces series – Lee Campbell

These were followed by a larger piece which sets the ‘traces’ within defined cylinders:

Triadic Optics - oil on canvas Lee Campbell

Triadic Optics – oil on canvas Lee Campbell

This image links in turn to an earlier body of work entitled ‘Rothko with Altitude’ Rothko-inspired abstracts with an upper band of skyscapes and will hopefully lead to more work along these lines.

Meanwhile, I wanted to bring some light and colour into the winter studio so painted these pieces:

Nasturtiums - Lee Campbell
Nasturtiums – Lee Campbell

Always good to have some ‘warm’ paintings to liven up the studio on these chilly days so I’v been using the last of the nasturtiums in the canoe garden outside my studio as subjects. They’ll be gone with the first frost.

Studio Eel Pie Island

   Commissions Welcome

If you have a photo of a special place that you would like translated into a painting email the image and the dimensions and I will send you quote. I also have a staggered payment plan with the final payment made when the painting is delivered

Student visit

Last year Laura Tosh visited my studio as part of a uni project photographing people on the island in their place of work and took the following shots – a real snapshot in time : 

Holly ‘the muse hound’ continues to provide good company and a presence obvious only by the occasional snoring from the corner of the studio. Many visitors are unaware she is even there until she rises to stretch – perfect studio dog.

Appreciating the History of Twickenham

With thanks to our great local blogger Twickerati : http://twickerati.wordpress.com/

TwickenhamMuseum:www.twickenham-museum.org.uk/detail.asp?ContentID=213

Image

Image

Trolley bus to Twickenham http://www.youtube.com/watch?v=iySshjjujog

Eel Pie Island’s early history 

The island was previously known as Twickenham Ait, and before this, in the Churchwardens’ Accounts for 1608, the Parish Ayte, reflecting the ownership. In earlier times it was actually in three parts and Jean Rocque’s map of 1741 shows two parts.
It has been claimed that the island was once connected to the Twickenham bank by a pre-historic causeway. Mesolithic/Neolithic artefacts: flints, horn implements, axes and hammers have been found in the river bed and on the island.
It seems to have been a place for recreation as early as the beginning of the 17th century. Moses Glover’s map of 1635 notes a plot of land as “hath bin A Boulding Alley”. Only accessible by boat it still supported a public house first named The Ship, later The White Cross, during the 18th century. Henry Horne (1724-1814) is noted as the licensee of the White Cross in the Ayte for a number of recorded years between 1780 and 1795. In 1781 Mary Horne was the named licensee and in 1801 Elizabeth Horne owned the licence in company with William Fielder. The earliest mention of a public house of this name is in 1775 although there was, in 1737 one called Ship in the Ayte. No doubt this hostelry catered for passing river trade as much as the local population.
 

Image

Samuel Lewis’s map of 1784 shows the inn in the centre of the Ait inscribed “Mr Horn”. Henry Horne was also a waterman: in 1788 he took the lease of the from Lord Dysart, renewing this until 1803, for the last time.
The White Cross was replaced with a much larger establishment in 1830 and the island became a popular resort for visitors and boating parties, some brought by steamer. A watercolour by Thomas Rowlandson gives a flavour of leisure: various boats coming and going and visitors enjoying alfresco refreshment beneath the trees. The eel pies served were famous and led to the renaming of the island although with increased pollution the eel population declined and pies are no longer made.

Image

The larger establishment took the name Eel Pie Hotel and the contribution which this establishment made to the development of British Pop music is legendary. It closed and was burnt down in 1971 while being demolished.Twickenham Rowing Club was founded in 1860 under the presidency of the Duc d’Aumale (1822-1897) then living at Orleans House and in 1880 built its headquarters on the island. Like Twickenham Ferry and, later, Hammerton’s Ferry it acquired a celebratory piece of music. Composed by W Vincent Wallace, The Oarsman’s March was scored for solo piano and dedicated to the Twickenham Rowing Club. Published by Robert Cocks & Co it was apparently published while ‘his Imperial Majesty the Emperor Napoleon III’ was still on the throne. 
In 1889 there was a proposal to establish an open air swimming pool at the upstream (southern) end of the island together with a bridge for access. Today, the island is now largely residential but sustains a boat-building and artist and craft workshop community. It also boasts a small bird sanctuary at its southern end. It remains connected to the mainland by a new bridge, though comfortably detached from the hurly-burly of Twickenham, for its residents.

15
May
11

Surviving Ghosts NZ Earthquake Updated May ’16

May ’16 Update

Worrying news for Canterbury towns:

http://www.radionz.co.nz/news/regional/304705/alpine-fault-quake-‘more-damaging’-for-plains

March ’16 Update

Excellent over view of the redevelopment situation:

http://www.stuff.co.nz/the-press/christchurch-life/76090113/have-the-anchor-projects-anchored-christchurchs-central-city

March ’16 Update

Sad to report a further quake last Sun followed by 10 or more aftershocks. For a thorough report on the liklehood of another big one: https://theconversation.com/the-earthquakes-keep-on-coming-for-christchurch-54804

April 2015 Update

Frid 24th Another big one today:

http://www.stuff.co.nz/national/68035274/severe-62-earthquake-hits-near-south-islands-st-arnaud

December ’14 Update

He’s back!  Watching the video below I was surprised to see the notorious wizard of Chch. So good to see Regent St has been so beautifully restored in fact the city is looking surprisingly colourful and positive.

Update from Christchurch showing the rebuild:

http://www.rebuildchristchurch.co.nz/blog/2014/9/christchurch-from-the-streets-spring-2014

More Quakes 10th Jan ’14

Another year another earthquake:

A shallow 4.1 magnitude earthquake has rattled Christchurch this afternoon. The tremor, at 3.33pm, was centred 20 km west of the city at a depth of 9km. It had a Mercalli Intensity (the strength felt on the surface) of 6, GNS Science said. It followed a magnitude 3.1 earthquake in the same area just after midnight this morning.

August 15 ’13

Aftershocks continue after a 6.2 earthquake hits Marlborough and Wellington – a great deal of minor damage and some injuries.

http://www.nzherald.co.nz/nz/news/article.cfm?c_id=1&objectid=10901180

Update 21st July ’13

A minute-long earthquake has shaken New Zealand, halting trains and damaging Wellington’s parliament building. The 6.5-magnitude tremor was centred 35 miles (57 km) off the coast south of the capital at a depth of 6.3 miles. But while some structural damage and power cuts were reported, officials said there was no risk of a tsunami.

The quake hit at 17:09 (05:09 GMT) and was felt as far north as Auckland.

It smashed windows, knocked stock off shop shelves and burst some water pipes, but there have been no reports of serious casualties.

For more in depth news see:

http://www.nzherald.co.nz/nz/news/article.cfm?c_id=1&objectid=10901707

19th July Aftershocks follow 5.7 Cook Straight Quake

 A 4.4 magnitude quake has shaken central New Zealand this afternoon, hot on the heels of the 5.7 earthquake rattled people in Wellington and Blenheim.

GeoNet reported it was “strong” intensity, 55km west of Levin, at a depth of 6km. The first quake struck at 9.06am and was centred 30km east of Seddon, south of Blenheim, at a depth of 8km. Rated as severe, it turned Wellington office workers white-knuckled as it swayed high-rises in the capital, with buildings also being rocked in Blenheim. The shallow tremor was felt as far away as Christchurch and New Plymouth. In Wellington it was felt as one jolt, gradually picking up in intensity, while those in Blenheim felt two shakes. GeoNet said the fact it struck off the South Island spared the region from its full force, though there were a few reports that it had a damaging intensity. Though it had knocked goods off shelves in Blenheim it was much too small to cause a tsunami, GeoNet said.An offshore earthquake needed to be at least magnitude 7.5 for a tsunami to be considered possible. The quake was preceded by a magnitude-2.9 “foreshock” in the same location 6 minutes before the main shock. By 11am there had been 17 aftershocks in the region, the largest a magnitude 3.7, 30km east of Seddon. Aftershocks were likely to continue for the next 24 hours.

Red Zone returns to nature – from Christchurch Star 22 April 2013

Shocks Continue

After all this time there are still regular aftershocks see this site for daily updates: http://www.christchurchquakemap.co.nz

22nd Feb Anniversary

BBC News Links 23rd February

http://www.bbc.co.uk/news/world-asia-17122588

http://www.bbc.co.uk/news/world-17122582

Feb 23 Early morning 4.1 quake in Christchurch.

There was a magnitude 4.1 earthquake 20km north-east of Christchurch early this morning. The quake hit at 5.21am at a depth of 15km. GNS seismologist Caroline Holden said 19 people had reported having felt the earthquake to GNS as of 6.20am. It was slightly off shore and, at that magnitude, you would have to have been close to it’s centre to have felt it, she said.

“It was quite a gentle earthquake.”Yesterday was the first anniversary of the February 22 earthquake when 185 people lost their lives.

9,988 and counting

Feb. 20th Bev says they are ‘still having earthquakes …we are up to 9,988 now and that was a couple of weeks ago so be more than that now Just when you think they are slowing down to go away then we get another around 4.3 -4.5 just to let us know that mother nature hasn’t finished with us yet.
I feel that we will still get another bit one around the 7 mark yet before it is finished …forever hope not but it is in the back of my mind all the time’.

Darkness at the Heart – Christchurch one year on

From the Guardian 20th Feb

There are new shops built from shipping containers, a theatre and a rugby ground soon to open. But at night, the empty city centre is a dark smudge among the suburban lights

Shops built from shipping containers in Christchurch a year after the earthquake
Shops built from shipping containers in Christchurch’s central business district a year after the devastating earthquake.

Viewed at night from the southern Port Hills, the centre of Christchurch appears as a dark smudge among the suburban lights. Almost a year after the earthquake that killed 185 people in NZ’s second largest city, much of the central business district remains in the “red zone”, cordoned-off and uninhabited but for the work crews that pass through the security gates each day in their hundreds.

This building site enclave is a strange echo of the city that stood there before it was thrust upwards and sideways by the 6.3-magnitude quake just before 1pm on 22 February 2011. Blinker your eyes and parts of the city appear untouched. But look to either side and the picture is of demolition work.

The broken shell of ChristChurch Cathedral, this South Island city’s most famous landmark, stands deconsecrated and uncertain in a central square that grows bigger by the day, as demolition booms peck away at the surrounding buildings.

In empty lots where buildings were bowled over, waist-high weeds grow from the cracks. Billboards are frozen in time, promoting events for March 2011.

So familiar have tremors become in Christchurch that locals are unnervingly good at instantly estimating the magnitude of an earthquake. They have had plenty of practice. Since the 7.1 quake in September 2010 – the first and biggest, which caused no fatalities in part thanks to its arrival in the middle of the night – geologists have measured more than 10,000 earthquakesin the region.

Of those, more than 400 have registered over magnitude 4.0; more than 40 have surpassed 5.0. A cluster of three earthquakes measuring up to 6.0 struck two days before Christmas, causing fresh damage to buildings, including the cathedral, and closing the airport.

Days later, the state geological agency predicted that the area could expect aftershocks to continue for more than two decades, albeit with the likelihood of diminishing severity.

From his sixth-floor office on the edge of the red zone, Roger Sutton, chief executive of the Christchurch Earthquake Recovery Authority, lays out a map of the central city, with buildings shaded in black and grey that have been, or are likely to be, demolished. “You can see it’s pretty extraordinary really,” he says. Sutton, who impressed Cantabrians with his enthusiastic and engaged response to the February earthquake, when he was chief executive of the local power company, took a hefty pay cut to join the government agency. He remains upbeat.

“The level of destruction that we’ve got there is such that we’ve actually got an opportunity to do something really fresh,” he says. “And people are feeling optimistic now. What we had before was just mishmash from historical accident, so to speak. Now we can think about it much more carefully and do something much, much better.”

It is impossible to gauge how many people have left Christchurch for good. Predictions of a mass exodus have proved unfounded. An estimated departure of 10,000 could soon be offset by the arrival of workers, including from Ireland, lured by the appeal of a rebuild costing up to $30bn (£15.5bn).

With unemployment only slightly increased, and encouraging turnover at the port and airport, there is reason to remain positive, Sutton says. “The economy is still going gangbusters here. So despite the fact we have had a massive earthquake, and a large part of the central business district is still shut, all the economic indicators are actually positive.”

He believes 2012 will be a “defining year” for the city and points to the rebirth of Cashel mall’s shops, the newly opened Court Theatre and a soon-to-open 18,000-seat rugby stadium.

Together with the much admired Gap Filler community initiative, which illuminates vacant sites with everything from fun fairs to bicycle-powered cinemas, such projects have clearly encouraged residents.

Shipping containers have become the all-purpose emblem for the city. The Cashel mall has been built from them. They form makeshift braces for celebrated older buildings such as the cathedral. And they worm their way, stacked two-high, beneath the steep cliff on the road out to Sumner, protecting drivers from the ongoing landslides. Above, the frames of luxury homes lurch drunkenly from retreating foundations.

Sumner was among the worst-hit areas a year ago. The seaside village, less than four miles to the east of the epicentre, was pounded by falling rocks and landslides. Water, electricity and sewage systems were cut off for days.

Today, character is returning to the suburb. “I think there’s huge opportunity here,” says Karen Sheridan, who has opened a furniture store comprising two brightly painted shipping containers.”The city’s changed now, there’s more focus out in the suburbs. Sumner was always very much a destination anyway, especially in the weekends and over summer. That’s coming back. Things like this are helping to draw people to the area. But it’s going to take a long time. “People are sick of the earthquakes, the constant aftershocks. But we’ve all learned to get on with it. After February last year, the place was shut. It was like a desert. There was no one around. All the women and children left, and it was basically all full of men.

“I’ve been very, very lucky. Our house wasn’t too badly damaged and I haven’t had to move out. But a lot of my friends are having big trouble with their insurance companies, and struggling to move on. A lot of people are still stuck back in that day in February.” But the mood in Christchurch is hardly one of unified optimism. Disaffection with the pace of recovery, especially in the eastern suburbs where thousands of homes are unsafe, is high.

Months of building frustration found a lightning rod in the recent decision of the city council to award its chief executive a $68,000 (£35,000) pay rise – a decision that in the circumstances “bordered on wilful ignorance”, according to the Press.

Even after he agreed to forgo the increase, a protest calling for his resignation, along with that of the mayor, Bob Parker, the former TV host who had been so lauded in the months after the February disaster, attracted more than 4,000 people a fortnight ago.

Leanne Curtis, spokeswoman for CanCern, a network of residents’ groups, says people need to see firm timetables for the restoration of their homes and community facilities. “Without that you become a very depressed city,” she says. “It’s a very bad place for us to be mentally – you can’t build, innovate, be entrepreneurial. You lose motivation, capacity to get up and help ourselves. You can’t remake a city out of depression.”

Communities in the east, and especially those which still await a government decision on whether their land is viable for rebuilding, are boiling over with frustration – with the insurance companies, with the authorities and with a sense of being overlooked, says Curtis.

While roads have been patched up in most of the city’s suburbs, in parts of the residential red zone bordering the Avon river as it snakes from the CBD to the coast, streets still betray the bumps and fissures of the 2011 earthquake.

=======================================================

Jan 9  2012 A 4.1 magnitude earthquake has hit Christchurch overnight. The quake struck at 3.38am, 20km east of Christchurch, at a depth of 10km. GNS Science said the quake was felt across Canterbury. Earlier, two small earthquakes struck on the Hawkes Bay.

A magnitude 3.4, centred 20km north of Napier at a depth of 30km, struck at 1.48am, and was followed by a magnitude 3.6, centred 30km southeast of Havelock North at a depth of 20km, at 2.06am.

For a positive view of the re building of Christchurch  and comparison with the Napier earthquake of 1931 in  see Roger Sutton’s 14th Jan piece :http://www.starcanterbury.co.nz/news/roger-sutton-recent-aftershocks/1235708/

For predictions of future shocks see Ken Ring (The Moon Man) a NZ writer who has used lunar cycles to predict weather and earthquakes. He terms his predictions “alternative weather” and has authored books about the weather and climate. Ring publishes almanacs each year for New Zealand, Australia and Ireland in which he provides weather predictions for the entire year.

He has recently broken his silence after creating near panic in Canterbury earlier this year with his prediction of a large earthquake.

The fallout from his March prediction led to hate mail and death threats against Ring who denies scaremongering. Dubbed the ‘moon man’, Ring said all he does is predict trends and patterns and he was only trying to be helpful. However he said he accepts people were scared and “I do regret that”. His comments created panic in Canterbury but he told Close Up tonight he doesn’t feel he terrified the people. “I apologise if anybody did take fear out of that situation.” Ring said he doesn’t hold any umbrage against anybody for the backlash because it was a time of great structural strain. He said that he has always maintained in his timeline the quake activity would start to diminish after April and although that is the case and the quakes are starting to move north, it’s not over. “People can start to rebuild their lives, people can move back to Christchurch, but there will be odd big ones still coming.” Ring said the issue is a big area of international research and the largest earthquakes always occur when the moon is closest to earth. There’s a definite pattern to it and the position of moon to earth influences earthquakes and the weather, Ring said. He said the information can be used to examine a trend, apply it to now and then extrapolate forward until “it’s a matter of history”.

See latest up date on his predictions (8/2/12):http://www.starcanterbury.co.nz/news/ken-ring-says-another-big-quake-coming/1083669/

Discounted by scientists , Ring looks forward to a time when he can work with seismologists and geologists. “The more information we can bring to the picture helps everyone.” He said everybody wants information, certainty and predictability.  “It is a very, very old science and the time is coming when we will all work together.”

Update of Red Zone images – Sept. ’11:

see link:http://www.starcanterbury.co.nz/photos/red-zone-tour/8935/

One year on from the September 4 earthquake, Cantabrians are still asking when the aftershocks are going to end. Just this week, three jolts magnitude 4 or larger have shaken the region, following weeks of a relative lull in seismic activity.

In the twelve months since the magnitude 7.1 earthquake, more than 8,000 aftershocks have struck the region. The number is likely to be much higher, with many of the smaller ones going unrecorded.

“Particularly after some of the bigger earthquakes you miss some of the smaller ones just because they are lost in the noise – so you don’t pick them up in the same way,” GNS Science seismologist and geohazard modeller Matt Gerstenberger says.

Casting his mind back twelve months, Dr Gerstenberger says the thousands of aftershocks fit what was expected at the time. “I think it has fallen in line with what we would expect,” he says. “It’s not unexpected given the size of the main one.” However the two destructive magnitude 6.3 tremors, on February 22 and June 15, were less expected.

“More often than not, you would not get two in that size range,” Dr Gerstenberger says. “It is certainly not unexpected that they occurred but it was not the most expected outcome.” Unfortunately another large one cannot be ruled out. There’s a small possibility now for another [magnitude] six, but if you look at the numbers we have it is quite small but we can’t ever rule that out.”

According to GNS latest forecasts, in the next year there is an 82 per cent probability of a quake measuring between 5 and 5.4, a 39 per cent chance of a quake 5.5 to 5.9, a 10 per cent chance of a quake between 6 and 6.4, a 5 per cent chance of a magnitude 6.5 to 6.9 and a 2 per cent chance of a jolt measuring 7 to 7.9.

Dr Gerstenberger says the aftershocks may continue for “decades”, although felt events could be months or years apart. For example, there are still small aftershocks from a magnitude 7.8 quake which struck Buller in 1929.

“As you can see in the last weeks and months, the numbers of events per day are gradually slowing down, [but] it will take many years for it to get back to the level that it was at prior to the occurrence of the [September 4 magnitude 7.1].

“But the felt events will get spaced further apart in time, it will soon be weeks and then months between the felt events.”

One year on, the sequence of earthquakes has given GNS Science a wealth of data, which is being used to help better understand the volatile ground beneath us. GNS Science is also involved in 22 Canterbury rebuild projects.

“We’re focusing a lot on the rebuild – that’s our main focus,” GNS Science communications manager John Callan says. “But in the background the scientists are doing research on all the data which has been captured in the last year. There’s a huge amount of data which will take them quite a while to sift through and analyse. They’ve only done first cut analyse at this stage. But it is a real treasure trove of information in terms of earthquakes. – Paul Harper, Christchurch Star

Aftersocks!

What a lovely surprise to discover that the enterprising Rural Women of NZ have produced stylish and practical socks to raise money for the earth quake fund. In the Cantabrian colours and made from Merino wool. Fabulous! See http://www.aftersocks.co.uk

After an unusually mild June on  the 27th July Christchurch had the thickest snow fall since August 1992 and the second coldest day since 1918, there has also been a heavier than usual smog blanket hanging over the city which is attributed to the aftermath of the earthquakes.

Hope perhaps? From the NZ Herald 8th July

An American expert believes the city can be cautiously optimistic that the worst of the earthquakes is over. Dr Mark Quigley says that prediction was based on the fact June’s aftershock sequence was less energetic than that which followed the February earthquake which is a fair observation.

However, Dr Quigley doubts it’s all over.

“We want to move on, we want to say this is it, but I think anyone looking at the data and anyone who has compared it to other cities, I think it would be silly to say we’re totally out of the clear,” he told Newstalk ZB.

But Cantabrians are not letting that threat stop them from rebuilding their city, with the largest construction site in the country currently inside the Christchurch Red Zone.

Close to 100 diggers and 80 trucks are working there for 20 different demolition companies.

Christchurch Press: ‘Damaging magnitude 6.0 and 5.5 earthquakes which rocked Christchurch today have not lessened the Government’s resolve to rebuild the shattered city, Prime Minister John Key says.  The magnitude 5.5 quake struck at 1pm, 10 kilometres east of Christchurch at Taylor’s Mistake beach, at a depth of 11 kilometres, and sent people scrambling for cover. It was followed at 2.20pm by a more powerful magnitude 6 quake, centred 10 kilometres southeast of the city and 9km underground.

At least ten people were taken to Christchurch Hospital with injuries due to falling building material after the 1pm quake. Other residents from the devastated city cried in the streets and hugged their children. Police said there were no reports of injuries following the second aftershock today.

The quakes are the latest in a series of dozens of aftershocks to hit Canterbury following the devastating February 22 earthquake, where 182 people died, and a damaging magnitude 7.1 earthquake last September. The February 22 quake measured magnitude 6.3 and left 100,000 homes damaged – 10,000 beyond repair. Christchurch’s CBD was left in ruins, with 900 buildings – many in what has become known as the ‘red zone’ – expected to be demolished.’

There have been over 6,500 shocks altogether – all this in a city where earthquakes were unknown.  Winter temperatures makes the lack of power and water particularly daunting but happily it’s back on now in most areas.

Link to photos taken shortly after quake on 13th June:

http://www.starcanterbury.co.nz/earthquake-photos/gallery/55-aftershock-june-13-2011/500/#252208

Willow Nook – Good News from Christchurch

Other news of a happier nature from Christchurch is that thanks to this blog I have been contacted by  Graeme Edwards from Chch who is living England and was searching for the History of Willow Nook – he has been able to fill in some gaps for me as to the house’s history and has just purchased it with a view to restoring it. What a great positive bit of news!

Timeline

1870 – Edward ARMSTRONG marries Sarah Elizabeth WILLMER
1885 – Sarah Armstrong arrives in NZ from England (Newport Pagnall?)
1886 – Edward Armstrong arrives in NZ from England
1896 – Parker Westenra – A farmer from Dunsandel purchased 40 hectares
1901 – Edward & Sarah Armstrong buy 4.5 hectares and establish Willow Nook farm.
1963 – Willow Nook sold to Kathleen & John Leversedge
2001 – Willow Nook 100 years old and still owned by John & Kathleen Leversedge
2001 – 2011 – Property sold during this time to Korean Young-Gi Lee who set up the property as a guest house named “Rodem House” for foreign students and this was also linked to the “Christchurch North Apostolic Church”
2011 – Property purchased by Graeme Edwards

Possible leads for further history from people who have been tied with this house are;
George and Ted Armstrong
Kathleen Leversedge, possibly a member of the Christchurch Bridge Club.
Young-Gi Lee
Anyone who stayed at Rodem House

Please contact Graeme or myself if you have any tales or memories of Willow Nook:  weedie_one@hotmail.com
‘I grew up Mundys Road, near Burwood Park which is about a mile from Willow Nook. Purchased my first house when I was 23 which  happened to be in Torlesse Street which is just around the corner from Willow Nook. I remember  going past the house every day on my way to work and always loved it and wanted to own it. Now I have the opportunity to own it and hope to recover as much of the history as possible and restore this beautiful piece of East Christchurch’s history.

I first saw the house for sale in the beginning of Feb 2011 and recognized it straight away. My girlfriend also loves this house and we  are both very keen to come back to Christchurch to set up a family home. My parents went and looked at the house for us and sent over some photos and informed me that it will take a lot of work to restore the property. The next day, the 2nd earthquake hit Christchurch. I informed my parents that if it was still possible to purchase the property then we were both still keen. We had to have an engineers survey and it all still looked good. The insurance Co. and bank agreed and I now own this wonderful piece of history.  My girlfriend and I were not fazed by the amount of work ahead of us.
The house has suffered some damage, both the chimney’s have been knocked off, there are a few surface cracks and some of the night store heaters were damaged. There has also been some damage to the water heater. All in all there seems to be nothing major.’ Graeme Edwards
 Willow Nook – History
An Avonside settler, Parker Westenra, of Dunsandel, bought 40 hectares in 1896. His boundaries were approximately from Woodham Road (Mile Rd), Ngarimu Street (Westenra St), Kerrs Road and Avonside Drive (Rhen River Road). But he did not keep the land intact for long. Five years later, in 1901, Edward & Sarah Armstrong bought 4.5 hectares, the land that established Willow Nook farm. Armstrong was a Methodist lay preacher keen to establish a small farm.

Edward and Sarah Armstrong

Farmer Armstrong’s son, Ted, milked 12-18 cows for a milk round run in conjunction with Willow Nook farm. Delivery, as far afield as  Litchfield Street, was with a two wheeler horse-drawn cart with a small rear-door opening. Milk ladled into billies and jugs was delivered to the door.
Before his homestead was built, Edward Armstrong lived in a sod hut along Avonside Drive (then River Road), about four houses from Retreat Road.
The Armstrong property was in two parts, Sarah’s farmland extended from Ngarimu Street to a couple of houses past Torlesse Street, back to Holland Street, while Edward’s land was an area that in now Avon Park, opposite Kerrs Reach.

An early directory shows Willow Nook homestead was 516 River Road. It is now 690 Avonside drive – a bit confusing because both sides of the river were then called River Road. Now River Road is the north side of the river and Avonside Drive on the opposite bank.
Edward Armstrong died on January 2 1930 in his 94th year. Some of the land had been sold for roading about 1926. The last of the Armstrong’s to live at the homestead was Ella, a schoolteacher.
The house now on 2519 square metres changed ownership from the Armstrong’s the first time in 63 years when the Leversedges bought it in late 1964.
The large villa type home has five bedrooms, two drawing rooms, two bathrooms, two kitchens and a large games room. John added a second storey to the house but in every other way possible has retained original features.

When they bought the property there had been a small dairy out-building, coach-house, and a tall water tank. An old shed is all that now remains. It was quite a showplace in its day with tennis and croquet on the lawn and grounds that extended to the edge of the Avon.

Willow Nook – Armstrong Homestead – Chch

Willownook

++++++++++++++++++++++++++++++++++++++++++++++++++++

Easter

Red Sails (Thames Barge at dusk) – oil on canvas Lee Campbell

The painting above is one of the pieces on offer, a romantic view (30″ x 30″) of one of the last of the Thames Barges which I saw at Maldon in the Essex Estuary some years ago. Magnificent boats! and as my studio is in a boatyard I have learned a great deal about river boats over the years. The ones with the wooden hulls are the best to paint especially when they in dry dock and apparently a metal nail from one will bring good luck (I have 2 and they seem to be working).

                     

Blossoms

Every spring I’m enchanted and seduced by the beauty of the blossoms en route to my studio and foolishly attempt to paint them – these paintings don’t usually survive as I need the canvas for other things, but this year 2 small paintings and one tiny painting (done very quickly from objects at hand) remain as a record of the joys of spring:

Easter – Lee Campbell

Surviving Ghosts

It really has been quite a journey! It began in the summer of 1992 when I was commissioned to do a painting of the Haley’s Comet/Giotto Space craft encounter for the Space Research Lab at the University of Kent in Canterbury by Prof. Strange (yes really) – and having just left college so having no studio, I asked if I could produce the painting on location and so began a series of interesting and challenging locations which included a 12th C Dominican Priory- haunted by a weaving monk, an Age Concern Day Centre (doing quick pencil portraits), an 8′ x 4′ sentry box on Grosvenor Dock, St Saviours Church in Pimlico (also haunted – I would feel a presence wafting past me just as the bells chimed 5 pm), several empty shops and most recently the National Physical Lab in Teddington.

Being alone in quiet  places can make one aware of many atmospheric entities – some more welcoming than others, and they do tend to creep into my paintings from time to time – observant visitors to my studio will see one who resides in a quiet corner of my studio. Being totally committed to my career as an artist and in need of places to work, I have refused to let such presences deter me from working – so rather than allow them to drive me away – I have ’employed’ then as models and included them in my artwork.

Most recently the horrors of the earthquakes and the loss of life in Japan and NZ had me thinking of ‘ghosts’ and lost souls and inspired this painting:

In this painting I’m trying to convey the idea that for many there would be no cherry (or any other kind) blossoms this spring – and tiny lanterns floating on the water would carry the souls to a place of peace.

Transitions – Lee Campbell

Another painting in this reflective vein recently completed, was inspired by Japan and a photo I took last year of a heron:

Vigil – Lee Campbell

Commercial Success

Delighted to hear that the Bridgeman Art Library have allowed one of my spookiest ‘Flurry’ paintings to be used on a French novel with a credit on the outer cover no less. These are based on the Robert Graves poem ‘Outlaws’

Mythical – Lee Campbell

Outlaws   –   Robert Graves

Owls – they whinny down the night;
Bats go zigzag by.
Ambushed in shadow beyond sight
The outlaws lie.

Old gods, tamed to silence, there
In the wet woods they lurk,
Greedy of human stuff to snare
In nets of murk.

Look up, else your eye will drown
In a moving sea of black;
Between the tree-tops, upside down,
Goes the sky-track.

Look up, else your feet will stray
Into that ambuscade
Where spider-like they trap their prey
With webs of shade.

For though creeds whirl away in dust,
Faith dies and men forget,
There aged gods of power and lust
Cling to life yet –

Old gods almost dead, malign,
Starving for unpaid dues:
Incense and fire, salt, blood and wine
And a drumming muse,

Banished to woods and a sickly moon,
Shrunk to mere bogey things,
Who spoke with thunder once at noon
To prostrate kings:

With thunder from an open sky
To warrior, virgin, priest,
Bowing in fear with a dazzled eye
Toward the dread East –

Proud gods, humbled, sunk so low,
Living with ghosts and ghouls,
And ghosts of ghosts and last year’s snow
And dead toadstools.

MORE GHOSTS

I recently made contact with the people at St. Saviours church where I was resident artist for 5 months in 1997 when I returned to London from Canterbury. I was living in Dolphin Square and had nowhere to work so asked the caretakers if I could work in the church and to my delight they agreed.

I had the place to myself except on Weds and Sunday mornings and I hired the vestry and ran art classes there. It was quite gloomy though so I positioned myself in the only place where natural light came in. When the sun hit the pews they creaked as the wood expanded – as if someone was sitting down, but the spookiest thing was the waft of cool air that would whoosh past at 5pm every evening so I wrote this poem about it:

Beyond Silence
The clanging of a bell unseen
measures the hours and quarters
but childish squeals from school released
are carried away in a river of traffic
as the fifth hour approaches……
When summoned from the cavernous gloom,
A restless ghost
Or a sunbeam shaft on the well-waxed oak?
The dark pews resting solemn
now creak joyfully
as if welcoming a dusty presence
breathed to life by the warmth and light.
I feel the intruder,
a witness to a private union
and must return to another place
beyond silence.
— Lee Campbell

Within St. Saviours – Graphite drawings – Lee Campbell

St Saviours, Pimlico – oil on paper – Lee Campbell

18
Jan
11

Battersea Peace Monk

Peace Pagoda - Lee Campbell

Peace Pagoda – Lee Campbell

Peace Pagoda – Battersea Park

Last weekend we were visited by Reverend Nagase the Buddhist Monk who is the guardian of the Peace Pagoda in Battersea Park. I first met him when he visited my shop on Ebury Bridge Road in 1998 and despite not speaking English very well his delight in art was obvious and we have been friends since then. He welcomes visitors and can be contacted on 0207 2289620.

The Rev. Nagase spends his day in Buddhist meditation, ‘other works’ and in maintaining the pagoda, a job not made easy by the fact that people climb up it and make a mess on the second floor, an area forbidden to the public. He relies on donations to live and is grateful to the bread he gets from a local Caribbean bakery and vegetables from a Chinese vegetable shop. Any help is welcome, not least with his heartfelt pleas for assistance in cleaning the pagoda.

The idea of Battersea Park being home to one of Japan’s foremost Buddhist sects may strike the casual visitor as incongruous – to say the least. But to early morning joggers and dog-walkers it will not be a surprise. A saffron-robe clad Buddhist monk, gently beating a drum as he does a daily perambulation at sunrise from his temple to the Peace Pagoda, is a familiar sight.

The Reverend Gyoro Nagase first arrived in England in 1978 from Aichi prefecture, near Nagoya, in Japan, to assist in the construction of the first Peace Pagoda in the UK in Milton Keynes. In 1984 he moved to London, as part of a team of 50 volunteers and Buddhist monks and nuns of the Nipponzan Myohoji Buddhist Order, to construct the Peace Pagoda in the park, which was completed the following year. They were living in what is now the Children’s Zoo but, as the site was expanded, the Buddhist order was offered a storeroom, in the trees near the Old English Garden, by Wandsworth Council, on the understanding they carried out all renovations and the conversion into a temple. Gratefully the offer was accepted, the work was carried out by volunteers and today, with just one remaining monk, that temple has developed into a successful centre for the sect, attracting Buddhist followers from not just London and Japan, but also people from China, Sri Lanka, India, Burma and Taiwan who are now living in the UK.

The Peace Pagoda stands about 33.5m high, and is made of concrete and wood. It has four large gilded statues of the Buddha, one facing North, one facing South, one facing East and one facing West. A small temple has also been built nearby, with just one monk of the Nipponzan Myohoji order as permanent resident. The monk currently occupying this position is Rev Gyoro Nagase, who came to England in 1978 from Aichi prefecture in Japan. Each morning at sunrise Rev Nagase makes the short journey from the temple to the pagoda, beating his drum and chanting the Daimoku. He spends his day in Buddhist meditation and maintaining the pagoda, among other tasks. Rev Nagase is a regular participant in the annual London Peace Pilgrimage, organised by Westminster Interfaith, under the auspices of the Catholic Church.

Gathering Battersea Park

Each year in June a ceremony for peace is held at the Peace Pagoda. Monks and nuns of the Nipponzan Myohoji sangha are joined by monks and nuns from other Buddhist traditions, in chanting and offering prayers in front of a temporary shrine set up in the environs of the pagoda. Representatives of other faiths and of secular peaceseeking organisations also offer prayers for peace. The ceremony finishes with traditional dances from India and Sri Lanka, and music of various kinds.

Peace Pagoda, Battersea Park

Nasty Scam – Artists Beware

This scam is currently targeting artists and people selling goods on line and from web sites.

It was quite a convoluted scam that took place over 5 weeks from the initial contact from a chap in Denmark asking about the artwork on my web site. This is quite normal  I get a lot of genuine enquiries, and after many e mails he finally selected paintings to the value of £6,000 and said he was also buying some furniture from Manchester and asked if the paintings could be transported there.

He then sent a cheque despite being asked to use Pay Pal or BACs transfer but alarm bells rang when I saw it was a UK company cheque – with someone else’s name.
Then he requested that I send him £2000 to cover transport – by Western Union – and this is where he came unstuck as I’d not agreed to pay for that.
I notified the bank and despite the cheque clearing initially it proved eventually to be stolen.   Easy come  – easy go!   It seems that this scam is being used worldwide and they are particularly targeting artists at the moment.  Such a waste of time but good lesson.

Points to look out for:

The amount offered not same as price of goods

Offer to send cheque only – they are stolen and will bounce

Poor English that becomes increasingly worse

Requests for money

Please pass this on